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Old Nikon Lenses Are Better For DSLR Video
by Kyle FiechterOld Nikon lenses are an attractive option for Canon and Nikon DSLR filmmakers because of their build quality, optical quality and price.
Adapt Old Lenses To New Cameras To Save Money
by Kyle FiechterBefore still cameras were being used to create HD video, director Tim Burton was already seeing the possibilities. His film “Corpse Bride,” a stop-motion animation, was shot entirely on DSLR cameras, according to stopmotionworks.com
Choosing The Best Lens For DSLR Video
by Kyle FiechterWhen choosing a lens for your DSLR, there are various features to consider to make a wise investment. Though there is not one lens that fits all scenarios, you can make wise choises to invest in a few pieces of quality glass that will cover every situation.
Shortfalls And Solutions Of DSLR Lenses For HDSLR Video
by Kyle FiechterDSLR lenses are designed for still photography, not video. Learn the shortfalls of still lenses to make wise choices in purchasing lenses and composing your shots. And consider a couple products that can reduce the problems.
How to Choose Shutter Speed For Video On Your DSLR
by Kyle FiechterIf you want to create a natural-looking video, choose shutter speeds according to the 180 degree shutter rule used by filmmakers. Learn what the 180 degree shutter rule is and how to use it.
How Cameras Sensors Work And The Benefits of HDSLR Sensors for HD Video
by Kyle FiechterKnowing how digital cameras work will help you make wise decisions when purchasing a camera and creating images. Learn why larger sensors are better for capturing video and how they work.
The Best Microphone For The Job In DSLR Audio
by Kyle FiechterIf you are switching from photography to video, there is a lot to learn. Audio is an important part of video and there are many options for microphones, each with their own purpose.
Clearing Up The Noise Part II: Solutions For Capturing Quality DSLR Audio
by Kyle FiechterDSLR cameras are not equipped to record high-quality audio, but a few improvements can turn your scratch-track DSLR audio to production-ready audio.
Clearing Up The Noise Part I: Shortfalls In Capturing DSLR Audio
by Kyle FiechterCapturing quality audio is half the story when creating video; even more so at a concert or other live event. DSLR cameras are not up to par for five (correctable) reasons.
Bringing HDSLR Shortfalls Into Focus: Focusing Systems And Techniques
by Kyle FiechterThe three-inch LCD on the back of the camera is not a great tool for manually controlling focus. However, sharp focus can be achieved on HDSLR cameras.

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